Wednesday, July 24, 2013


Saturday, 27 July -- Wednesday, 31 July

NINETEEN SHORT FILMS

     All are Korean;

all but 4 are presented here with English sub-titles.

         (This is a second presentation of the shorts shown at last year's occasion of Gang-neung's annual Jeong Dong Jin Independent Film Festival - just in time, as the festival is to occur from 1 - 3 August, this year.)

all times: P.M.     Admission: ONLY 5,000 WON PER SET

27 July, Saturday

2:15 -- 3:35, Set 1;        3:50 -- 5:09, Set 2;        5:20 -- 6:47, Set 5

28 July, Sunday

2:25 -- 3:40, Set 3;        3:50 -- 5:06, Set 4;        5:20 -- 6:40, Set 1

29 July, Monday

3:00 -- 4:19, Set 2;        4:30 -- 5:50, Set 1;        6:05 -- 7:20, Set 3

30 July, Tuesday

2:50 -- 4:17, Set 5;        4:30 -- 5:45, Set 3;        6:00 -- 7:16, Set 4

31 July, Wednesday

3:00 -- 4:16, Set 4;        4:30 -- 5:57, Set 5;        6:10 -- 7:29, Set 2

WITH ENGLISH SUB-TITLES:

Set 1: all four   Set 2: all four

Set 3: one of three  Set 4: three of four  Set 5: three of four

Wednesday, June 26, 2013


Now Showing

-- in ENGLISH –

at the Shin-Yeong Cinematheque!!

Before Midnight Thurs., 27 June 14:20 16:08

Sat., 29 June 21:00 - 22:48  Sun., 30 June 15:45 - 17:33

Tues., 2 July 19:30 - 21:18
 
Bernie Thurs., 27 June 21:35 - 23:14  Sat., 29 June 19:10 - 20:49

Sun., 30 June 21:10 - 22:49  Mon., 1 July 18:10 - 19:49

Tues., 2 July 12:30 - 14:09  Wed., 3 July 16:40 - 18:19
 

Everyday Thurs., 27 June 16:20 - 17:50 and 19:55 - 21:25

Sat., 29 June 12:05 - 13:35 and 17:25 - 18:55

Sun., 30 June 10:30 - 12:00 and 19:30 - 21:00

Mon., 1 July 16:30 - 18:00 and 20:00 - 21:30

Tues., 2 July 14:20 - 15:50 and 21:30 - 23:00

Wed., 3 July 13:00 - 14:30

 
Cosmopolis starts Wednesday, 3 July 18:40 - 20:09

 
 also --

in French: Comme un Chef, with Jean Reno

Sat., 29 June 10:30 - 11:55  Sun., 30 June 14:10 - 15:35

 

Tuesday, June 25, 2013

A Few Words on What's On


     Check out Michael Winterbottom's Everyday.  It's on, and it's good.  I'll have a few more words, later, and a new set of show-times, coming soon.

Wednesday, June 19, 2013

THROUGH WEDNESDAY, 26 JUNE

at the Shin-Yeong Cinematheque, in Gang-neung


     For now, I'm just posting show-times.  I should have a few more things to say, later this week, even if only about making pop-corn, or random memories of the random movies I rented while living in Ulsan, fifteen years ago.  So come on back, soon.

BERNIE: THURSDAY, 20 JUNE  12:40 - 14:24 and 18:10 - 19:54
Friday, 21 June  19:45 - 21:29  Saturday, 22 June  17:10 - 18:54
Sunday, 23 June  18:50 - 20:34  Monday, 24 June  21:25 - 23:09
Wednesday, 26 June  16:40 - 18:24

BEFORE MIDNIGHTTHURSDAY, 20 JUNE  21:45 - 23:33
Saturday, 22 June  20:50 - 22:38  Sunday, 23 June  15:05 - 16:53
Wednesday, 26 June 20:40 - 22:28

EVERY DAY: THURSDAY, 20 JUNE  11:00 - 12:30 and 20:05 - 21:35
Friday, 21 June  18:05 - 19:35  Saturday, 22 June  19:10 - 20:40
Sunday, 23 June  17:10 - 18:40  Monday, 24 June  19:45 - 21:15
Wednesday, 26 June  14:50 - 16:20

COMME UN CHEF: THURSDAY, 20 JUNE  16:30 - 17:55
Friday, 21 June  14:25 - 15:50  Saturday, 22 June  15:30 - 16:55
Sunday, 23 June  10:30 - 11:55  Monday 24 June  18:10 - 19:35

note: Days / Dates are written in capital letters, above, to indicate
the birthday of Brian Wilson -- as I do enjoy and would recommend his music,
and because I myself was born on the day Brian Wilson turned thirty-three!

theque.tistory.com for complete information (in Korean)

The theater is located west of Home Plus, beyond the Lotteria,
between two clothing stores, across from an S.K. station and up on the 4th floor.
(Second star to the right, and straight on till morning.
 Or just follow the Yellow Brick Road.)

Sunday, June 16, 2013

Through Wednesday

19 June

     Schedules come out every week and are usually available a few days before the Thursday on which they begin.  For example, the schedule whose first day was last Thursday, 13 June, was ready on 10 June -- Monday of last week.  I didn't put it up, here, because this site is primarily concerned with foreign (non-Korean) movies or Korean movies with English sub-titles, and I think I covered most of those in last week's posts.  (Anyone who wants more information, as provided -- in Korean -- by the folks of the Shin Yeong Cinematheque, themselves, can always check out their official site, at the address below.)
     However, because the main purpose of one of those posts of last week was to remind viewers of what was still showing and to encourage them to get to the theater before these films moved on, while the other was meant to announce this past week-end's presentation of several works from the Seoul Independent Film Festival, I failed to mention the premiere, this Wednesday, 19 June, of a certain American movie that should be promoted here, as well, as I believe it may be of interest to quite a few of the foreigners in this area. So:
 
THIS WEDNESDAY, 19 JUNE
7:40 - 9:24 p.m.
 
Richard Linlater's
BERNIE
w/ Jack Black, Shirley MacLaine and Matthew MacConaughey
 
     With Jack Lemmon, we all fell in love with her in The Apartment, and then Paris itself -- along with Frank Sinatra's heart -- was set burning by her unforgettable Can Can, just a few months ago (on E.B.S.).  Now Shirley MacClaine is back, as irresesistable as ever -- this time, to Bernhardt Tiede (Jack Black), to whom she is also absolutely unbearable.
     Once again, we are asked to wonder about the wisdom of the legal possession of fire-arms by even the most gentle of U.S. citizens.
 
     After the premiere, I expect this feature will run for a few weeks; I will announce coming show-times, once the schedule is out.
 
Shin Yeong Cinematheque: http://theque.tistory.com
 
     And yes, you can still catch Before Midnight (recommended), as well as Commme un chef (in French, with Jean Reno), for a few more days.
 


Movies at Home

     How rare and how odd the experience must have been, back in the early days of video cassettes, when such technology was seldom used outside of professional or fanatical circles.  Later, the Home Box Office and similar channels brought popular movies into the homes of those who would pay for the connection by cable, and then the situation became quite different when the v.c.r. was improved and thus established, along with the micro-wave oven, as a domestic institution, and video rental stores sprang up everywhere.  Even then, the control we now enjoy over what we watch was nowhere near reality and not even a common expectation, but consider life as it must have been for those who lived even earlier, back when even those early steps towards today's broad access had yet to be taken; imagine a world in which one's options for viewing were limited to whatever was chosen for broadcast to ordinary television sets . . .
     I'm not asking anyone to feel any guilt over our current privileges; nor is it gratitude I'm trying to inspire.  Rather, I'd just like to show you where I'm writing from, here -- and to let you know about a couple of programs on E.B.S. where what might be called the spirit of "The Late Show" and "Week-end Classics" endures.
     Of course, there have always been movies on t.v.  I wasn't there, and I haven't done the research, so I won't say that I know, but it seems that t.v. allowed many in previous generations to become acquainted with those grand productions that were already classic -- or at least old -- when our parents (and maybe your grand-parents) were young, such as King Kong and The Wizard of Oz -- and with a lot that has been forgotten, as well, I suppose.
     In any case, yes, people were able to watch movies at home, in those days before viewers had any control over the experience, but it seems that the presentation on the small screen of films made for the theater was often or usually made outside of those hours most popular for viewing.  Even without any research, I know there was nothing like the Independent Film Channel or American Movie Classics, whose massive amounts of beautiful content testify to the passion and well organized efforts of scholars, artists, critics and other experts, devoted to an appreciation (of cinematic art) that must have been rare or altogether absent, more than forty or fifty years ago.  Movies were rather few, on t.v., and I believe that most of them were seen at odd hours, if they were seen at all -- but these were the only options, so I imagine they were quite important, perhaps to many people.
     Well, now that we all have access to whatever we'd like to see, anywhere and at anytime, what seems to have been the primary raison d'etre of the midnight or Sunday afternoon showcase is gone -- and yet the showcase itself endures.  I don't know if there are any other regular viewers, out there, or if anyone else has even noticed, but E.B.S., one of the major channels through which those who still watch t.v. continue to get the usual array of popular shows, here in Korea, plays a movie every Saturday night at 11:00 and one at 2:30 every Sunday afternoon.  Most of these are in English, they all run without commercial interruption, and many would be worth anyone's time.
     Now, anyone reading this post will know that I have access to the internet, and that I am not averse to on-line participation.  And in addition to this new project, here, I do spend time at a variety of sites -- such as YouTube, where I went a few weeks ago for the first five episodes of the original Upstairs, Downstairs, and where I've also taken in many interviews, lectures and other documentary pieces, over the years, quite a lot of music (of course) and even Rushmore and Super Size Me (the entire work, in both cases, each of them divided into about ten parts).
     Beyond that, however, I've never come any closer to a down-load, legal or otherwise, of any movie.  I'm neither opposed to the practice on moral grounds nor afraid of the technology; the opportunity has just never made much of an appeal to me, so I've never given it much thought, and it is by mere innocent accident that I haven't gone in that direction.  Sometimes, I do borrow or rent a disc or a cassette, but otherwise, I'm not far from where our ancestors lived, in terms of home cinema.  In fact, most of the movies that I've seen at home in the past year or two have been on E.B.S.
     So without the down-loads, without I.F.C. or A.M.C. and with a slight prejudice against viewing on this note-book / lap-top, I often find myself in a position that must be rather rare, these days: looking forward to Saturday night or Sunday afternoon, in front of the t.v., in anticipation of the films that were announced after last week-end's presentations.

     This is not meant as a recommendation, as the E.B.S. broadcast has not indicatded any plan to provide any movies that couldn't be found on the internet.  In case anyone is curious, though, here are some of the features -- at random, in no order at all -- that I've enjoyed there, in the past few years:

     The King of Comedy, The Age of InnocenceThe Manchurian Candidate, Can Can, Let's Make Love, Two For the RoadA Room With a View, Atonement, The Wind That Shakes the Barley, Kes, Manhattan Murder Mystery, Brief Encounter, The Shining, Lost in Translation, Broadcast News, Sophie's Choice, Fiddler on the Roof, Delicatessen . . .

Friday, June 14, 2013


     "What is it they're showing, this Saturday night on E.B.S.?  And on Sunday afternoon?"  I wonder if ours is the only home in which such questions are ever heard, anyomore.  I wonder if anyone else cares at all about what "they" are playing, on E.B.S. or on any other channel where, once or twice a week, a place is still held -- in the midst of the usual broadcast of familiar serial drama, comedy, news and other documentary reports and investigations -- for "The Late Show" or "The Sunday Movie", a special presentation that must be special to almost no-one, these days, since almost everyone on the planet can now watch almost anything he/she wants to watch, at any time.
     This practical part of the relationship between most people and art has changed; we live in a world where access is free -- and yet I remain as I always have been, still dependent on decisions made by these few enduring institutions that survive from earilier times.  And I wonder what holds me back.
     Maybe I'm afraid of these new systems through which movies are made, distributed, presented and viewed, since they ask me to abandon what I know and to become familiar with operations that strike me as contrary and difficult.
     I may also be scared by the removal of the old limits, whose absence demands personal choice.  Years ago, our responsiblity was minimal, as our options were few; even at the old video stores (which most of you should be able to remember, if you concentrate), the number of titles for rent was a mere fraction of a fraction of what is now available to anyone with a computer -- and otherwise, there were only theaters, where even now we can settle on a film as easily as we order dinner from a menu (and where there was often not more than a single film to be considered, even as late as the early nineties, when I was in high school).  Before watching any movie these days, though, I have first to decide against almost every other film that's ever been made and sent out to be seen, as there is now very little to which we do not have access -- and that decision is heavy.
     As I raise these suggestions in my mind, though, in my attempt to find the real cause of my hesitation, I find so little response from my conscience that I am able to drop the inquiry, quite sure of my innocence.  Sure, I may be moved in part by a natural preference for what is known to and easy for me, but I don't find in myself any strong emotional opposition to recent or current changes -- or any serious grief over the passing of the old situation -- that might indicate a problematic resistance, based on foundations that should themselves be allowed to crumble.  I don't live in dread of the future, and I even admire those who are brave enough and strong enough to move with the times, to be active along these new lines and to enjoy all that is now within the reach of anyone who would take it.
      Without suspicions, then, I am able to continue crawling forward at my own pace, bothered neither by my neighbors' devices nor by my own failure to use those devices.  I can accept my tendency to accept whatever E.B.S. offers us, this week-end, or whatever the local movie house is showing -- or else to just read a book, take a walk or go to bed early, should none of the features appeal to me.

     However, my intention here was to write on a more interesting phenomenon; instead of any ridiculous investigation of the real interests that might have held me behind the rest of the world, this was going to be an informative piece about the presentation of movies on E.B.S., itself, and an appreciation of one of last week-end's features, in particular.  Having gone on and composed these rather extensive paragraphs, though, I'm ready to close this post and save those other points for next time.